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| Studio to Studio Video
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Our Video and Audio services are the nuts-and-bolts
of video connectivity services which transport top quality
images and sound ready to view, edit and produce in
real time. Our exceptional services can save money and
increase productivity by saving on travel expenses,
cutting down on courier delivery time, cost and shortening
approval time.
Kick Video Services are provided on a hubbed basis.
Hub points are located in New York, San Francisco, Hollywood
and San Diego.
Using Kick's Video Access Gateway provides a common
standards-based network platform, eliminating previously
incompatible digital and analog video formats.
Our Analog Video Service is used for broadcasting live
news, sporting and entertainment events. Providing outstanding
broadcast-quality service used for permanent and temporary
video transmission.
Exceptional Video Services 270 is an uncompressed, digital
component video transport based on the SMPTE standard
259M. CVS meets the growing demands of post-production
facilities that require full-bandwidth-quality video
for decision support, multimedia, high-resolution graphics,
special effects, and distribution of editing masters.
With one common transmission standard, Universal Standard
Interfaces, and compression codec capability, CVS is
the ultimate in digital video transport technology.
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- Approve rough cuts and/or audio mixes with remote
screening
- Remote editing, using remote machine control (optional
CVS feature)
- Highest quality audio when Dolby Digital Audio is
added
- Security via fiber optics transport
- Backward compatible with existing Kick services,
as well as forward compatible with future technologies
such as ATM, utilizing our new Video Gateway.
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Amplitude response vs. frequency (50-IRE-unit sine wave)
0.5 MHz, +1.5/- 1.4 IRE 1.5 MHz, +2.1/- 2.0 IRE 2.0
MHz, +2.8/- 2.7 IRE 3.0 MHz, +3.6/- 3.3 IRE 3.58 MHz,
+2.1/- 2.0 IRE 4.2 MHz, +4.2/- 3.9 IRE
Chrominance-luminance gain inequality, +-4 IRE
Chrominance-luminance delay inequality, +-33ns
Field-time waveform distortion, 3 IRE p-p
Line-time waveform distortion, 1 IRE p-p
Short-time waveform distortion, 2.0%
Long-time waveform distortion ( 3-second settling time),
8.0 IRE peak
Insertion gain, +5.9/-5.5 IRE
Insertion gain variation - hourly, +3.5/-3.3 IRE
Insertion gain variation - over one second, +-1.7 IRE
Luminance nonlinearity, 4 IRE
Differential gain, 5 IRE or 5%
Differential phase, 1.3deg.
Chrominance-to-luminance intermodulation, 2 IRE
Chrominance nonlinear gain; 20 or 80 IRE unit chroma
signal, +-2 IRE
Chrominance nonlinear phase, 2deg.
Dynamic gain - picture signal, 3 IRE
Dynamic gain - synchronizing signal, 1.6 IRE
Transient synchronizing signal nonlinearity, 2 IRE
Signal to weighted-random-noise ratio (10 kHz-4.2 MHz),
60 db
Signal to low-frequency-noise ratio (0-10 kHz), 40 db
Signal to periodic-noise ratio (300 Hz-4.2 MHz), random
noise exceeds periodic noise
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| "Ready for the future of
Media and Entertainment!"
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